In case you missed it: Making Their Mark at the Kemper Art Museum

September 12, 2025 – January 5, 2026

By happenstance we wandered into Kemper Art Museum on September 13th. Making Their Mark: Works from the Shah Garg Collection, was a striking survey of artists we already loved, and an introduction to others we were happy to meet. This was an international and intergenerational exhibition organized by Shah Garg Foundation of more than eighty two-dimensional and three-dimensional works of art. The following is not an exhaustive presentation, it is what personally resonated, namely the paintings and mixed media, but also a selection of sculptural and textile pieces. [1]

For a more complete understanding of this recent multifaceted contemporary exhibition, please visit the Kemper Art Museum website. All photographs presented here were taken by Abril Warner.

For Philadelphia Three, Pat Steir (b. 1940, USA), oil, 2013

Alquimia Plata 6(B), Olga de Amaral (b. 1932, Colombia), mixed media,1995

Alquimia Plata 6(B), Olga de Amaral (b. 1932, Colombia), mixed media,1995

drip, drip drip, Wangechi Mutu (b. 1972, Kenya), mixed media, 2017

The Body and the Gold Breast, Pinaree Sanpitak (b. 1961, Thailand), acrylic & gold leaf, 2021

For Amethyste and Athenaire (Exiled Muses Beyond Jean Luc Nancy’s Canon) Firelei Baez (b. 1980, Dominican Republic), oil, 2018

Sisters, Tschabalala Self (b. 1990, USA), mixed media, 2021

A Judgement on Paris, Kara Walker (b. 1969, USA), Gansai watercolor on cut paper, 2024

‍ ‍Arterias (serie tela-corpo), Sonia Gomes (b. 1949, Brazil), mixed media, 2022

The Three Rivers, Melissa Cody (b. 1983, USA), wool & aniline dye, 2021

Stick, Simone Leigh (b. 1967, USA), bronze, 2019

Window of the Wedding (both #3: Woman & #4: Man), Faith Ringgold (b. 1930 – 2024, USA), acrylic with fabric border, 1974

Untitled, Joan Mitchell (b.1925 – 1992, USA), oil, 1992

Abril Warner

Abril P. Warner was born in Ciudad Juarez, Chihuahua, Mexico. She received her BFA from the University of Missouri- St. Louis with a concentration in painting with theological and metaphysical content. Abril Warner earned her MFA in painting from the Academy of Art University – San Francisco where she continued her theological examination through painting. She uses abstraction as a tool for communicating the intangible, such as emotions and spirituality. Warner currently resides in Missouri where she is an art educator and mentor in higher education.

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